Lake Chūzenji at Nikkō

Lake Chūzenji at Nikkō

Unframed / 12" x 18"
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Lake Chūzenji at Nikkō
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Lake Chūzenji at Nikkō

Katsushika Hokusai | c. 1831

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About the Artwork

Lake Chūzenji at Nikkō is a Japanese woodblock print by Kawase Hasui, produced in the early twentieth century as part of the shin-hanga movement. Set high in the mountains near the sacred precincts of Nikkō, the work depicts Lake Chūzenji, a volcanic lake long associated with retreat, pilgrimage, and seasonal change.

The composition is structured around the lake’s broad, still surface, which occupies the foreground and reflects the surrounding hills in softened bands of colour. Darkened slopes rise gently along the far shore, their forms partially dissolved by mist and distance. Hasui’s palette creates an atmosphere that feels clear, elevated, and calm. Human presence is absent, allowing the landscape to assert itself without interruption.

Rather than presenting the lake as dramatic or sublime, Hasui emphasises quiet enclosure. The water appears contained rather than expansive, held within the surrounding mountains. Light is diffused and even, flattening contrast and slowing the eye. The scene suggests stillness not as empty, but rather as full - a completeness achieved through balance and restraint.

Today, Lake Chūzenji at Nikkō resonates as a meditation on withdrawal and clarity. In contrast to images defined by movement or spectacle, the print offers a space of pause, where attention can settle and deepen. Its modern relevance lies in this invitation to step back and reconsider what we perceive as valuable - to consider landscapes not just as something to photograph, but as a destination for the stillness and refuge it provides in our otherwise busy lives.

About the Artist

Kawase Hasui (1883–1957) was one of the leading figures of the shin-hanga movement and is widely regarded as its greatest landscape artist.

Best known for his serene depictions of towns, temples, coastlines, and rural Japan, Hasui’s prints evoke a profound sense of stillness and atmosphere. Snowfall muffles village streets, rain softens distant rooftops, and twilight settles gently over bridges and waterways. His landscapes are not grand spectacles but quiet encounters, moments suspended in time where nature and human presence exist in careful balance.

Trained under Kaburagi Kiyokata, Hasui combined classical ukiyo-e composition with a modern sensitivity to light, weather, and mood. He traveled extensively across Japan, sketching directly from life, and translated these observations into prints that feel both deeply personal and universally resonant. Subtle gradations of color and meticulous carving give his works a lyrical, almost meditative quality.

Throughout his career, Hasui worked closely with publisher Watanabe Shōzaburō, producing hundreds of prints that helped define the visual language of shin-hanga. In 1956, he was officially recognized by the Japanese government as a Living National Treasure for his contributions to woodblock printmaking.

Today, Kawase Hasui’s work is celebrated for its quiet poetry and emotional restraint. His landscapes invite slow looking, offering a contemplative vision of Japan shaped by memory, atmosphere, and the passing of time.

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