Evening Moon Over Kobe

Evening Moon Over Kobe

Unframed / 18" x 12"
£44.99
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Evening Moon Over Kobe
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Evening Moon Over Kobe

Katsushika Hokusai | c. 1831

£44.99
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About the Artwork

Evening Moon over Kobe is a Japanese woodblock print by Hashiguchi Goyo, created in the early twentieth century during Japan’s Taishō period. Associated with the shin-hanga movement, Goyō’s work bridges traditional ukiyo-e techniques with a modern sensitivity to atmosphere, light, and psychological quiet.

The scene unfolds at dusk. A luminous moon rises above the harbor, its pale reflection stretching across calm water and dissolving into soft gradations of grey and blue. The shoreline of Kobe appears restrained and distant, rendered through minimal architectural suggestion rather than detail. Goyō’s palette is subdued and deliberate, allowing light itself to become the primary subject. The composition is balanced yet spacious, giving the viewer room to linger within the stillness of the moment.

Unlike earlier landscape prints that emphasize motion or spectacle, Evening Moon over Kobe is defined by suspension. Time seems slowed, almost arrested, as the city recedes into shadow and the moon asserts a quiet presence overhead. Goyō’s handling of night is particularly refined: darkness is not heavy or opaque, but layered and breathable, shaped by reflection rather than contrast.

Today, the print resonates as a meditation on urban solitude and transitional time. Kobe, a modern port city shaped by global exchange, appears momentarily emptied of urgency. In this way, the work speaks to contemporary experiences of pause within modern life - those brief intervals when movement gives way to reflection, and the built world softens under natural light.

About the Artist

Hashiguchi Goyō (1880–1921) was a pivotal figure in the shin-hanga movement, which sought to renew Japanese woodblock printing in the early twentieth century by blending traditional techniques with modern sensibilities.

Renowned for his intimate portraits of women, Goyō brought an extraordinary level of refinement and psychological depth to his subjects. His prints are marked by quiet elegance, restrained emotion, and meticulous attention to surface, from the softness of skin to the weight and texture of fabric. Rather than idealized types, his figures feel inward-looking and contemplative, captured in private moments of grooming, rest, or reflection.

Trained in both Western-style oil painting and classical Japanese art, Goyō approached woodblock printing with a painter’s sensitivity and an uncompromising eye for quality. He exercised exceptional control over every stage of production, from design to carving and printing, resulting in works of remarkable clarity, balance, and tonal subtlety.

Though his career was tragically brief, Goyō produced a small but influential body of prints that set new technical and aesthetic standards for shin-hanga. His work bridged past and present, honoring Edo-period craftsmanship while introducing a modern, introspective vision of everyday life.

Today, Hashiguchi Goyō is celebrated for his precision, restraint, and quiet emotional power - an artist whose limited output continues to define excellence in Japanese printmaking and reward close, sustained looking.

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